Menu

Instructions for Becoming Visible

A performance-style poem about womanhood, voice, public expectations, and the courage to take up space.

First,
stop apologizing to the doorway
for the width of your shoulders.

Enter.

Let the room adjust.

You have spent too many years
folding yourself into acceptable shapes:
knees together,
voice lowered,
anger translated into concern,
brilliance softened with perhaps,
I think,
I could be wrong.

You learned early
that confidence looks different
depending on who is wearing it.
On some people it is leadership.
On others it is attitude.
On some it is vision.
On others it is a warning.

You became fluent in the weather of faces.
You could feel a storm gather
before anyone raised a voice.
You knew when to make a joke,
when to change the subject,
when to rescue the person
who had interrupted you
from the embarrassment
of realizing you were still speaking.

This was called maturity.

This was called being easy to work with.

This was called grace
by people who benefited
from your silence.

Second,
learn the full sound of your own name.

Say it without shrinking.
Say it without offering a nickname
before anyone struggles.
Say it slowly if you choose,
but never as an apology.

Your name may carry
a grandmother's hope,
a father's unfinished dream,
a language nearly lost,
an island pressed into syllables,
or nothing more dramatic
than the joy your mother felt
when she first saw your face.

That is enough.

Third,
stop confusing invisibility with safety.

It is true that the unseen
are sometimes left alone.
It is also true
they are easily erased.

There will be rooms
where your presence becomes a question.
There will be tables
where your chair is treated like a favour.
There will be people
who praise your work
while forgetting to mention your name.

Keep records.

Date your ideas.
Save your drafts.
Send the follow-up email.
Put your name on the document.
Do not trust memory
in institutions built to forget you.

Fourth,
understand that visibility
is not the same as performance.

You do not owe the world
a constant explanation.
You are allowed to be unfinished in private.
You are allowed to rest
without turning rest into a lesson,
a brand,
a caption,
a strategy,
or proof that you deserve it.

The moon does not publish
a statement each time it disappears.

Fifth,
choose witnesses carefully.

Not everyone who watches you
is capable of seeing you.
Some people look only for confirmation
of the story they already told themselves.

Find those who can hold complexity:
your laughter beside your grief,
your tenderness beside your refusal,
your certainty beside your questions.

Find those who do not require
your wounds as an entrance fee.

Sixth,
when the old fear returns,
and it will,
do not insult yourself for trembling.

Courage is not a body without fear.
Courage is a body that continues
while fear is speaking.

Place both feet on the floor.
Breathe low into your ribs.
Remember every version of you
that crossed a difficult room
so this version could stand here.

Seventh,
speak.

Not because every room deserves your truth,
but because your voice deserves practice.

Speak in the meeting.
Speak in the poem.
Speak at the kitchen table.
Speak to the child who is learning
what women are permitted to become.

Speak even when your sentence
does not arrive wearing armour.

Speak even when your voice shakes
and someone mistakes the shaking
for uncertainty.

Mountains shake.
Drums shake.
Church windows shake
when the choir reaches for heaven.

Shaking does not make a sound less true.

Finally,
when you become visible,
make room.

Visibility that ends with the self
is only another mirror.

Hold the door.
Cite the source.
Say her name when she is absent.
Move the microphone lower.
Ask who has not spoken.
Refuse invitations
that require someone else's exclusion.

Become the kind of light
that does not demand darkness
in order to be seen.

Then enter again.

Let the room adjust.